Showing posts with label structure. Show all posts
Showing posts with label structure. Show all posts

Thursday 11 September 2014

Screenwriting White Space: What Is It Good For?

Article written by Bulent Ozdemir
(DisclaimerThis article contains words and phrases that some people may find offensive. Please do not continue if easily offended)




People are always banging on about 'white space' when it comes to screenwriting. You see it in nearly every piece of writing advice:

"Script readers won't read your script unless they see plenty of white space..."

"You gotta make sure there's a lot of white space in your script to make it breath..." 

"White space, white space, white spaaaccceee!"

Trouble is, they never really tell you why. Yes, the obvious is that it's easier on the eyes, less is more, better impact per word/sentence/paragraph etc etc. But I'm sure most of you writing folks already know that (or anyone who's ever read anything for that matter, instinctually knows this).

Monday 24 February 2014

What A (Good) Story Means To Me

Article written by Bulent Ozdemir
(DisclaimerThis article contains words and phrases that some people may find offensive. Please do not continue if easily offended)

Narrative


Hey guys, today I'd like to talk to you about story, not just any story, but good story and what it means to me.

Like many creative mediums, platforms or whatever the fuck you want to call them, story is a subjective matter. One person's Monet could be another person's euro trash. We each have our own ideals, thoughts, influences and factors that mold our definition of a good story. It's not a right or wrong thing, it's whatever resonates inside the individual. Whatever sparks that emotion inside you is what counts.

Unfortunately, we live in a society today where everything is digested and thrown away within a blink of an eye, or should I say a click of a button, or is that a slide of the finger? My point is, attention spans have reduced quicker than a diarrhetic bowl over the last (at least) 10 years. What this means is a severe reduction in good story and an increase in eye candy. The next generation of cinema goers/storytellers have been groomed into a corner where everything is geared to be generically structured without the twists, turns and surprises most of the older generation were lucky enough to grow up with. Some will argue this point, others will nod in agreement. Again, it's all subjective.

Bare with me as I rattle along and bring this sucker back.